With and Without [Proper 12B]


The Rev. Jeremiah Williamson
Ephesians 3:14-21


With and Without

Long before the introduction of the Doomsday Clock, before weapons were capable of mass destruction, back when the world had four corners and the seas were populated with monsters, a man called Paul, well Saul, but then Paul, thought the world was about to end.  With a blast, not of bomb but of trumpet.  And not into oblivion but into something new – like rebirth, like resurrection.  Any day now…  The clock was ticking; creation groaning; redemption coming.  Any day now…

I stood still and just stared at a wall.  Is that pilgrimage?  Halfway between me and Paul lived a man named Herbert, a monk who bought the Episcopate and built a cathedral.  The very cathedral in which I stood and stared at the wall.  I was looking at his name. 

One thousand years stood between Herbert and Paul.  One thousand years stands between Herbert and me – me, a pilgrim standing upon the stones of his vision.  One thousand years later, and it was still standing and I was still standing and trying to imagine a thousand years and people separated by a thousand years.  Herbert lived in the days of dragons and yet he wasn’t a fairy tale, not just a story, but a man made of flesh now long gone and bones now long unclothed.  His name was Herbert and he lived in Norwich one thousand years before pilgrims from Colorado Springs – a city founded eight centuries after the founding of this Christian community in England – arrived to sing, arrived find whatever pilgrims are looking for. 

And what was I looking for?  I’m not sure.  But I am pretty sure I found something – though admittedly the exact description of my discovery is still unraveling itself in my soul.  I traveled far to touch, see, smell things that seemed to be, upon further review, embedded.  This is for me pilgrimage. For near is where you’ll meet what you have wandered far to find.[1]

Vacation is different. And this wasn’t that.  In a sense vacation takes you away – from life and busy and stress and the chores that seem to order time like how the church seasons keep repeating and keep telling you when to stand and kneel and say Alleluia.

But pilgrimage is something other.  It does not take you away; it brings you closer to something that is mysteriously both close and hidden. 

Pilgrimage helps you remember your story.  Not your autobiography.  Your story.  It sets you in context.  Like the time I saw my family name scrawled across old Scottish memorials.  Or the graves of Anglican priests in cathedral floors.  And Herbert: somehow I knew that Herbert and I shared a story – a story that continues to unfold – because the world did not end.  Not once.

And while the world continued – even as it waged wars and survived plagues – people stacked stones.  Stones that would stay stacked long after the builders turned to dust.  There is something about the old stones – somehow both ordinary and holy, given supernatural meaning through organization.  They didn’t mean to, but still they carry the stories.  They house the ghosts that still walk the halls – like the Benedictine monks those stones protected from the cold East Anglian winds of the middle ages, those Benedictine monks whose names are still read during Evensong – keeping them alive by remembering that they are dead.  

There is something about pilgrimage and story and old stones built into churches that thin out the divide between the living and the dead, between Creation and the End of the World.  How somehow sitting in Lady Julian’s cell – just a ten-minute walk from the Cathedral – I could feel the history of the place, the agony and the ecstasy.  Spirit is as complex as encountering it.  More than a pile of stones, more than a cell, it was enchanted, alive with spirit, charged.

It wasn’t just the places; it was what the places did to time.  As if maybe pilgrimage is traveling through space to think about time.  Finding that old things are also present.  Finding that things just go on.  That the story continues – with and without us.  Because the story is not one that we own; we are not the stars.  The story is bigger – written in the heart of God, a heart much broader and much deeper than we have the power to comprehend – and we are just privileged to make a cameo.  Remember that you are dust and to dust you shall return.

And so the cast of characters change.  The end of the world comes and it goes.  And the great divine story continues to unfold in this world.  God’s mission goes on. 

And perhaps all of this is obvious.  Maybe I am telling you something you already know.  Maybe.  But this is what I went so far – across oceans, across centuries – to remember.  God’s mission goes on.  The story is still being told.  And the story is ours, as is the mission, but also, the story will continue after us – with and without us.

It feels big: people of dust, in buildings of stone, charged with the critical work of an ancient God.  And it is.  It is the stuff of epic poems, the stuff of timeless wonder set in a world that solves mystery and builds strip malls.  We are the people through whom the timeless salvation story continues.  We re-tell the stories that the saints first told.  We tell the ancient tales of an impossible love to a world that has lost the ability to believe in miracles.  God is entrusting us with the same mission that Paul and Herbert and Julian once held in their hands and hearts.

The task with which God entrusts us feels weighty, enormous.  But we are not the first or the last missionaries, just the most recent.  And I find that liberating.  In the way that Christians have always just carried on, how the calendar keeps bringing us to the manger and the cross and the empty tomb, to the font and the altar – no matter how much the end of the world presses in on us.  Like how the people of St. Bride’s, London still sang hymns and shouted Alleluias during that one week in the 17th century when 243 of their members died of the plague.  And when that week was over, through their tears, they still sang hymns and shouted Alleluias.  And how today, in London, they will still sing hymns and shout Alleluias.  The cast has changed but the mission of God carries on.

Like how the people of Norwich Cathedral still prayed their prayers and changed their altar hangings, and lit candles while a millennia of war sounded outside the gates.  How they still opened their doors and offered comfort as plague and disease threatened annihilation.  How they set up coffee hour and polished silver while lightning flashed and tempests raged.  Because the Church’s mission carries on – always has, always will.  Not even the end of the world can stop it.

I have no sense of what this means to you, so little sense of what to make of it myself.[2]  But I think I found something – over there.  I found other chapters, earlier chapters, to a story that is my story but does not belong to me.  It is a story that is as old as time – maybe even older.  It is a story that defies the impatient immediacy of our age, that goes on and on – with and without us, with and without us.

One day, I suppose, someone will find a name, in a church, carved into a wall.  And perhaps that person will just stand there and stare.  Is this pilgrimage?  And that name will be attached to a person half way between Herbert and a 31st century pilgrim.  Because the story, like the mission, goes on: world without end.  Amen.       





[1] From the poem Draw Near by Scott Cairnes
[2] Ibid.


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